As Jillian goes to meet Reese at a subway entrance, Spencer suddenly shows up and she must hide from him. Spencer and Jillian have wine with another couple at dinner. Of special note for those concerned with repetitive flashing of bright lights on the screen, some of that occurs toward the end of the movie. We see that the tip of Jillian's finger is bloody after she sliced it while cutting vegetables. And when the film finally reveals all of the explanatory details toward the end, it simply becomes laughably bad, particularly since we never had the chance to develop a vested interest in any of the characters or the story. We see some surgeons whose gloves are a bit bloody.
A sexual encounter that includes graphic movement and related sounds gives that category a heavy rating, although no nudity is present. Jillian and another woman then have more champagne the latter leaves when she hears something about "burning rum balls" in the kitchen , and when Spencer later brings his wife yet another glass, she states that she's drunk. Of course, today's audience will more likely see the similarity to "The Devil's Advocate" -- where a young New York-based wife gets paranoid and then goes crazy over supernatural occurrences involving her husband -- and it's surprising that lead actress Charlize Theron "Mighty Joe Young," "Celebrity" chose to appear in both films. That's the old "cat and mouse" plot. Jillian sees or imagines menacing events as she tries to get home including someone following her in a cab and then a rapid fire montage of scenes as she travels on the subway. R For violence, language and a strong scene of sexuality. The two then go off and begin to fool around still in this public place, but out of sight and the next morning he apologizes if he was rough during sex, stating that he was drunk. The other, and more effective way, though, is to keep all of the characters shaded in various levels of "grayness. We see that the tip of Jillian's finger is bloody after she sliced it while cutting vegetables. Although the men were safely rescued and returned to Earth, both Jillian and Natalie become suspicious that neither of their husbands will talk about the incident. Violence is rated as extreme due to several violent deaths -- two by electrocution -- and those scenes and other, generally suspenseful and supernatural ones may be unsettling or tense to some viewers. As a person squeezes another person to death, we see some blood flowing from fingernail wounds to a hand, and then see blood flowing from the victim's ear and mouth. A woman has wine with lunch with Jillian. Although he's similarly constrained by the slow- moving plot, his take on the character just isn't that credible, particularly after the predictable revelation about him is finally made. Once there, Jillian learns that she's pregnant, but she's still troubled by the tragedy that struck their former friends, a memory that's exacerbated by her raging hormones. Many films occasionally borrow bits and pieces from others, and if they use such material in an imaginative or at least relatively new fashion, such harvesting isn't always completely objectionable. We see a drink by the radio that Spencer's listening to. Yet Ravich keeps the film plodding along with clearly delineated characters in the misguided belief that he doesn't need to ratchet up the suspense factor to keep us scared, intrigued, or least partially interested. Yet this film has stripped so many of its elements -- the New York couple, the friend's suicide, the pregnant woman's growing paranoia, and, of course, the husband impregnating the wife with anything but a bundle of joy -- that no matter how many weeds have been pulled and how much fresh paint has been applied, we can still see the original, creepy structure underneath. Spencer nearly watches a tape that Reese sent Jillian warning her about him. If they're fans of Depp or Theron, they might, but otherwise this one probably won't be high on most kids' list of movies to see. That same holds true for Reese possibly being an actual escaped lunatic since, after all, his "evidence" never seems credible enough, thus having a mental ward staff after him would have been a nice touch and that Spencer may or may not be just a concerned husband right up until the last moment. People have drinks at a party, including Spencer cocktail and Jillian beer. Later, there's a flashback nightmare to this scene where Jillian sees herself as the suicide victim. We see a hypodermic needle get jabbed into a patient's chest. And although it sets up the makings for a sequel, don't hold your breath waiting to see "Twin Sons of An Astronaut's Wife" anytime soon. As always, however, should you still be concerned about the film's appropriateness for yourself or anyone else in your home, you may want to take a closer look at the listed content.
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